
This documentary begins using a hand held camera as Karen’s mother searches through the house yelling Karen’s name. These shaky, point of view, camera movements made me feel as if I was the one searching for Karen. I love how Todd Haynes also decided to use dolls to explain the story of Karen’s deterioration. Both Karen and her brother Richard’s lives were artificially presented to the public, which is why the use of fake people to represent them is very fitting. Karen and Richard pretend to be perfect people with no issues when this was not the case. Throughout the video, I thought it was great that the cameras were positioned in a way that allowed the dolls to be moved around realistically. I often forgot that I was watching dolls as I was so intrigued by the story.
When Karen and Richard are in a business meeting, I found it interesting how the camera goes back and forth between them sitting on the couch, and between the man they are making a record deal with. The combination of quick cuts, creepy music, and the man's giant hand makes the viewer understand the horror that is to come. When the music intensifies as a woman is shown screaming and falling, this really symbolizes the rest of Karen’s life. In addition, when Richard announces that Jack is taking them out for a celebration dinner, the music builds, the tension rises and the camera quickly zooms into Karen’s face. The camera then switches to a frozen shot of a huge meal and then switches to a shot of ex-lax. I really thought this line up of shots was a good representation of Karen’s thought process.
I was particularly fascinated by the scene where Karen is trying to walk through her apartment as flashes of the most crucial quotes and images of the documentary are featured including the big plate of food, when she collapses on stage, when her brother is yelling at her, when her parents don’t want her to move away, when her mom yells "Karen", the ex-lax, and the toilet. Another one of my favorite parts of this film is at the end when Karen is on the phone with her doctor explaining how she is maintaining a good weight and then proceeds to drink Ipecac Syrup and the camera is thrown back with her head movements as she drinks this substance used to induce vomiting. The way the camera moves in this scene is not only innovative, but is also descriptive of her personal experience.
In terms of Karen’s music, it is interesting how all her songs in this documentary take on such a sad tone; whenever I used to hear her songs on the radio I always thought they were happy. When her music plays while the scale drops and various kinds of salads are show as meals with a side of ex-lax I felt as though her life was really plummeting. Between the narration, the use of dolls and tiny props, the use of real people, and the use of Karen’s music, Todd Haynes created a unique documentary. Ultimately, Karen Carpenter’s deterioration is successfully shown through the manipulation of a doll that is made increasingly thin.
Karen denies her condition in an interview:
http://www.youtube.com/watch?v=LCCGI8wLdZU
Karen denies her condition in an interview:
http://www.youtube.com/watch?v=LCCGI8wLdZU
No comments:
Post a Comment